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PDF) Witnesses Inside/Outside the Stage: The Purpose Of Representing Violence In Edward Bond's Saved (1965) And Sarah Kane's Blasted (1995)
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Sarah Kane: Complete Plays: Blasted; Phaedra's Love; Cleansed; Crave; 4.48 Psychosis; Skin (Contemporary Dramatists) - Kane, Sarah: 9780413742605 - AbeBooks
DYSTOPIAN PERFORMATIVES: NEGATIVE AFFECT/EMOTION IN THE WORK OF SARAH KANE By Scott C. Knowles Submitted to the graduate degree
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